I walked into work today with a fellow employee and, knowing he had two small children, asked after the family. His children are small, 3 and 1. He talked about the challenges of two small kids running around the house, throw in a dog, throw in a busy work schedule. I smiled, remembering my own house at that point of my life and now that I'm empty nesting, I have a different view of that particular brand of mayhem.
My daughter has become a fan of country music. As a result, during the summer months I saw many country music videos and one day, one of them caught my attention. Trace Adkins, singing "You're Gonna Miss This." It's one of those sentimental pieces that tugs at your heart and has become one of my favorites. As I listened to JayZee talking about his family, this is what prompted my smile, and I told him so. I asked if he was familiar with the song and he seemed to be aware of it, if not familiar with it. And I told him (wise old woman that I am - HAH!) You're Gonna Miss This.
Originally the song struck me in that my daughter is moving fast forward into her future. She's a smart girl and has a lot of common sense. Sometimes life shows you dreams of what might be and you leap toward them. You have two options when this happens. Take that leap and 1. Find out you've found the frying pan or 2. Find out you've found the fire. For each of us, these are learning experiences - life experiences. That's why the song touches me - it reminds you to enjoy today for what it is, because once you take that leap from today, its gone and you have to readjust to the heat you find you've leapt into.
Music has always added a soundtrack to my life, as with many people. You can remember exactly where you were and what you were doing when you hear a song on the radio. There's a song that puts me in my car, driving to work, 9 months pregnant every time I hear it. There's a song that puts me in a "lay by" in England at 3:00 in the morning, trying not to fall asleep and yet soaking up the *perfection* of the moment. There's a song that will forever be the reason I'm in the job I'm in now - and so many people have been able to apply it to so many different situations in their lives (the chorus is . . ."It Feels Like Chaos/But Somehow There's Peace").
So while I continue to adjust to my empty nest (and yes, I'm adjusting just fine), this Trace Adkins is the song that sticks with me now. The chorus is more true now than ever. I miss it. I'm so proud of my kids and the adults that they have become/are becoming, but in my eyes, they'll always be adorable little cherubs, full of smiles.
One parting thought for balance (since this post is so sappy). I have an English friend. One Christmas, she asked me about the holiday Stateside and, being the Christmas crazy that I am, I gave her my sappy, sentimental view. She laughed at me - not expecting to hear such "drivel." Yes, folks, I try not to take myself too seriously, but authors? they have to be dreamers to weave the spells that they do. I've always said that artists of any sort have to be at least slightly eccentric. I guess sentimentality is my eccentricity.
Wait - is that Brigadoon rising out of the mist? Just WAIT until I post about Vortexes! (or is that vortices?)
If this is your first visit, welcome. My books are what one reviewer describes as "The Perfect Blend of Romance and Mystery,” often with a bump in the night thrown in. We’re all friends here, so I hope you’ll let me know which posts you like best by leaving me a comment, but if you are the shy type, I’m happy to have you lurk until something resonates with you. Oh, and did I mention cookies?
Friday, September 25, 2009
Saturday, September 19, 2009
How do you start a novel?
People often ask where I get the inspiration to write, and then, when I get the idea, where do I start. For me, I start with my characters. It starts with a name. For one of my books, I had a hard time coming up with names, but I already knew I was going to write about a woman who walks through cemeteries (Epitaph). As part of my research, I did a cemetery walk figuring I could read all the names on the tombstones to get ideas. I took lots of notes that day, but ultimately, Amy Benson's name didn't come from a tombstone. But I digress. . .
{ahem} It starts with a name. Then I have to know everything about that character. Their hair color, their eye color, their body type, their personality, their family history. This is what makes your character who he is. There are times I don't get to know my character very well until I'm into my third chapter in the story. In fact, for the story I'm writing now, I'm half way through and I've realized the characterization has been a little uneven, but now I know my character much better so I can go back and edit out the inconsistencies. One of my writing buddies "interviews" her characters at the start of a novel. It's a similar process, but even with an interview, many times you don't really get to know this person until you've spent time with them (on paper/computer). Once I have my main character developed, I work on the other characters based on his/her personality. The type of friends they have, the type of person they attract, the type of person that would frighten them, the type of person that should frighten them but they fail to notice.
Once I have the characters outlined, for my part, setting inspires me. (It's kind of like playing dolls {grin}). You start them into the place that they fit, but I'm easily touched by a beautiful house or a particularly interesting landscape, or an unusual place. Things that stand out of the ordinary. That's what starts my engines running (for example, a cemetery - again using Epitaph as my example here because most people don't throw their main characters into a graveyard). Another example - I'm taking a trip to Sedona, Arizona to learn more about vortexes, a topic on my hit list for a story. Click here to learn more
Okay, now you have your characters and you have your setting. Unless you have a plot, your story isn't going to be very interesting. There are many different approaches to plotting a novel. One of the workshops I attended at a writer's conference showed a grid that shows the best way to maximize conflicts. If you put your protagonists in direct competition or opposition, that's a good start. Give them different goals in life, and have one stand in the way of the other. I think the example the workshop leader used was to have the heroine predisposed to hating policeman based on a previous encounter and the hero is a cop. There's no way the heroine would even want to talk to this guy based on her predisposition and even if she did, her immediate reaction would be negative. Then, say, the cop's goal was to raise enough money to buy a house that he could turn into a safe haven for troubled youth, and the heroine wants that same house to turn into a nail salon because that's her dream job, and she has a lot more money to front. Well, you get the idea.
Personally, I've gotten off to many false starts. I get the characters set, I get the setting lined up. I start the story and discover that it's BORING. They're not going anywhere or doing anything, they're just walking along, having a nice time. Nobody wants to read about walking along, having a nice time. People need conflict to be interesting. When I realize that during the writing process, I stop writing and go back to outlining. These characters need goals in life and they need obstacles to overcome.
There are lots of tools out there these days to get you started and help you. There are enneagram programs to help you develop your character's personality. There are writing programs to give you ideas. There are storyboard and outlining programs to keep you on track. The most important part to writing a good novel, however, is strong writing skills. Even with all these aids, the bottom line is that you have to have a firm grasp of the English language. You have to to know/learn how to tell a story in an interesting fashion. You have to understand the basics of showing and not telling. Even after years of practicing, I still make *stupid* mistakes, but at least I think I've learned how to turn a sentence, and when someone tells me a sentence is boring, I know that they aren't just being mean. Now I understand why. :-)
{ahem} It starts with a name. Then I have to know everything about that character. Their hair color, their eye color, their body type, their personality, their family history. This is what makes your character who he is. There are times I don't get to know my character very well until I'm into my third chapter in the story. In fact, for the story I'm writing now, I'm half way through and I've realized the characterization has been a little uneven, but now I know my character much better so I can go back and edit out the inconsistencies. One of my writing buddies "interviews" her characters at the start of a novel. It's a similar process, but even with an interview, many times you don't really get to know this person until you've spent time with them (on paper/computer). Once I have my main character developed, I work on the other characters based on his/her personality. The type of friends they have, the type of person they attract, the type of person that would frighten them, the type of person that should frighten them but they fail to notice.
Once I have the characters outlined, for my part, setting inspires me. (It's kind of like playing dolls {grin}). You start them into the place that they fit, but I'm easily touched by a beautiful house or a particularly interesting landscape, or an unusual place. Things that stand out of the ordinary. That's what starts my engines running (for example, a cemetery - again using Epitaph as my example here because most people don't throw their main characters into a graveyard). Another example - I'm taking a trip to Sedona, Arizona to learn more about vortexes, a topic on my hit list for a story. Click here to learn more
Okay, now you have your characters and you have your setting. Unless you have a plot, your story isn't going to be very interesting. There are many different approaches to plotting a novel. One of the workshops I attended at a writer's conference showed a grid that shows the best way to maximize conflicts. If you put your protagonists in direct competition or opposition, that's a good start. Give them different goals in life, and have one stand in the way of the other. I think the example the workshop leader used was to have the heroine predisposed to hating policeman based on a previous encounter and the hero is a cop. There's no way the heroine would even want to talk to this guy based on her predisposition and even if she did, her immediate reaction would be negative. Then, say, the cop's goal was to raise enough money to buy a house that he could turn into a safe haven for troubled youth, and the heroine wants that same house to turn into a nail salon because that's her dream job, and she has a lot more money to front. Well, you get the idea.
Personally, I've gotten off to many false starts. I get the characters set, I get the setting lined up. I start the story and discover that it's BORING. They're not going anywhere or doing anything, they're just walking along, having a nice time. Nobody wants to read about walking along, having a nice time. People need conflict to be interesting. When I realize that during the writing process, I stop writing and go back to outlining. These characters need goals in life and they need obstacles to overcome.
Way back when I first started writing, I took a "Sol Stein" course. At that point of "serious effort" in my writing career, I didn't understand all the ins and outs of the process, but looking back on that now, it was a good primer. The things that I remember most from that were: #1 Make your main character stand out. Give them a strong identifying feature, whether it be a unique look or personality trait (In The Treasure of St. Paul, my hero had a nervous habit of ticking off his fingernails against his thumb, one by one). #2 Put your characters into a stressful situation that throws them off their game. Add some unbalance to their lives, and do it quickly to draw your readers in.
There are lots of tools out there these days to get you started and help you. There are enneagram programs to help you develop your character's personality. There are writing programs to give you ideas. There are storyboard and outlining programs to keep you on track. The most important part to writing a good novel, however, is strong writing skills. Even with all these aids, the bottom line is that you have to have a firm grasp of the English language. You have to to know/learn how to tell a story in an interesting fashion. You have to understand the basics of showing and not telling. Even after years of practicing, I still make *stupid* mistakes, but at least I think I've learned how to turn a sentence, and when someone tells me a sentence is boring, I know that they aren't just being mean. Now I understand why. :-)
Friday, September 11, 2009
September 11
This is one of those questions, like where were you when Kennedy got shot. I'm sure everyone remembers where they were when the twin towers went up in smoke. Me? I was on my drive to work. They were talking about the first tower and while they were talking, the second one got hit. That was the defining moment, when they realized this wasn't just an accident. We've seen a lot of differences in our country since that time. I don't think I can *not* blog about the event, and I'm sure I'm in good company.
Along these lines, I remember during one of my research sessions that I looked up Nostradamus. There are those of you that would say he was lucky, there are those of you that might think he's a prophet. Whatever he was, I find it interesting, but that's just me. I like things that seem to reach beyond explanation. The uncanny coincidences in some of his quatraines cannot be denied. One of the more compelling things for me is that people try to interpret to suit their needs. For instance, it's easy to look back on history and point out the references to "Hister" in place of Hitler and the World Wars. What I don't understand is why, if they see Nostradamus as a predictor of war, they aren't making more of the 10 years' war that he predicted starting around the year 2000 that would involve the world power and an Arab state with a devil in a blue turban. (My facts may be a little off here, but that was the gist.) For those people that try to promote Nostradamus, it seems to me that he hit another one on the head, and yet the documentaries I've watched seem to skip over that part. And haven't we been at war for . . . do I have to do the math? (Does this mean we have two more years of war?).
I'm not acknowledging or denying these "prophesies," I'm just noting that I find them interesting. I'd thought to include them in one of my stories, once, but it seems one would have to be a dedicated scholar to sift through all Nostradamus's works. The subject became to broad and the concepts too obtuse and far-reaching in some instances. Not something that would lend itself easily to a passing reference, and too much to take on (in my opinion) for a work of fiction.Whatever your take is on the matter, whether it was predicted or not, the events on this date 8 years ago did happen and they will leave their mark on our nation for many years to come. The first time I traveled to England (before 9/11/01), they'd had their fair share of terrorists attacks with the Irish Republic Army and other assorted bogeys. Heathrow Airport impressed me deeply because of the tight levels of security. Leaving from Chicago-O'Hare, where my family came to the gate to see me off, I was unaccustomed to having to pass through three separate security checks at Heathrow where no one was allowed at the gates other than ticketed passengers. It was a little unnerving at the time - something I hadn't encountered before living a sheltered life in the U.S. Of course, that time has passed. Our security is greatly enhanced since that experience. Now, although most travelers find it inconvenient, you won't find anyone arguing about the necessity of such measures.
Where were you on 9/11?
Monday, September 7, 2009
Happy Labor Day
This holiday is a little different for me. I'm glad to have the day off, but my house is just a little emptier than in prior years. I'm now officially an empty nester. My children are intelligent, responsible young adults. I know they still have mistakes to make, but hopefully they'll learn from them. And now it's time for me to recapture my own life! Doesn't stop me from being just a little melancholy. For this past week, every time I look at my son I see a blond little boy full of smiles and giggles always ready for a cuddle and a lullaby. My mother says that's how it works. She still sees a little girl with curls every time she misses me. Those are the best times of our lives, lessons my children will learn one day.
And more nostalgia. The road trip to deliver One Young Son to college pointed out all the songs I have yet to transfer from vinyl to digital. Today's line-up? Led Zeppelin and Loggins and Messina (along with Kenny Loggins solo). I did tell you I had diverse musical tastes, didn't I?
Also spending time writing today now that some of the crush to prepare for college is over. That's exciting! My latest story has been suffering from divided attention. So back to work!
Wednesday, September 2, 2009
Keeping my fingers crossed!
First for the good news - I had another request for a partial of Epitaph!
And now onto the day in the life. On my morning commute this morning, I realized how much of a community train riders are. For instance, there's the couple that just had a baby - I first noticed her when she wore brightly colored rubber snow boots. Then, as I looked up to see who it was that was wearing these boots (and the man next to me was sniggering when he saw them), I noticed the baby bump. Winter turned to spring and the couple disappeared, recently to rejoin the commuting crowd. Then there is another couple - they're French. The man makes me extremely uncomfortable. He seems to have a temper, and he displayed it in the direction of his wife one day. He speaks perfect English to some of the other riders, but to his wife, it's always French. Recently, I noticed that she is pregnant. Then there's the woman on the scooter, the gamblers that invite the conductor to join their pools, and a host of other miscellaneous personalities. The thing about these people is that they follow routine. We normally ride the same trains, in the same cars, usually the same seats. We travel into the city and we travel home. Same cars, same seats, same train times - for the most part. Fodder for another story at a later date. This is where writer's differ from the rest of the world. We advance that step past people watching into imagining the lives we don't see.
For those of you asking, the door to the wild kingdom seems to be closed for now (finally!). No more friends for the two furry beasts that I've invited to live with me. Which reminds me - I watched a special last night on a man who had BEARS for pets. Real live bears. Black bears and Grizzly bears. Interesting show, but really?
Before my random thoughts continue to generate, I think I'll close out for today. Otherwise I imagine people will have a hard time keeping up with my rapid fire topic changing this evening!
Anon
And now onto the day in the life. On my morning commute this morning, I realized how much of a community train riders are. For instance, there's the couple that just had a baby - I first noticed her when she wore brightly colored rubber snow boots. Then, as I looked up to see who it was that was wearing these boots (and the man next to me was sniggering when he saw them), I noticed the baby bump. Winter turned to spring and the couple disappeared, recently to rejoin the commuting crowd. Then there is another couple - they're French. The man makes me extremely uncomfortable. He seems to have a temper, and he displayed it in the direction of his wife one day. He speaks perfect English to some of the other riders, but to his wife, it's always French. Recently, I noticed that she is pregnant. Then there's the woman on the scooter, the gamblers that invite the conductor to join their pools, and a host of other miscellaneous personalities. The thing about these people is that they follow routine. We normally ride the same trains, in the same cars, usually the same seats. We travel into the city and we travel home. Same cars, same seats, same train times - for the most part. Fodder for another story at a later date. This is where writer's differ from the rest of the world. We advance that step past people watching into imagining the lives we don't see.
For those of you asking, the door to the wild kingdom seems to be closed for now (finally!). No more friends for the two furry beasts that I've invited to live with me. Which reminds me - I watched a special last night on a man who had BEARS for pets. Real live bears. Black bears and Grizzly bears. Interesting show, but really?
Before my random thoughts continue to generate, I think I'll close out for today. Otherwise I imagine people will have a hard time keeping up with my rapid fire topic changing this evening!
Anon
Subscribe to:
Posts (Atom)