Wednesday, February 28, 2024

In the editing chair

Apologies in advance, I’m strangled with edits and personal business and trying to commission the rest of the Epitaph audiobooks. This post speaks to where I am in the writing process currently.

Yay! I've finished the next book. Now begins the real work, the various forms of self-editing before it goes to a real editor. 

Developmental editing

Does everything make sense? Do my characters start out one place and end up somewhere that doesn’t make sense? Developmental editing is a thorough and in-depth review of the entire story. It examines all the elements of writing, from individual words and sentences to overall structure and style. 

Copyediting

A copy edit will generally address grammatical or punctuation errors, incorrect facts, anomalies, inconsistencies and glaring typos. Have I used the right words in the right places?

Proofreading

Time to double check everything, specifically looking for spelling errors, grammar errors, proper punctuation, misused homophones (everyone familiar with their, they're, there?), layout issues, font issues, and spacing issues. 

As an author, I check all of this as I go, but there are bound to be errors that sneak through, even after multiple passes. I know what the story is supposed to say, so my brain might trick me into what's supposed to be there rather than what is actually on the page. 

And once I’ve finished, I send it to my editor who finds all the things I missed.

Then, after addressing my editor's comments, I proofread again--reading with my computer, reading a "hard copy" and having my computer read it to me while I follow along. The different passes ensure I trick my brain into seeing what's actually there rather than what I expect to read.

And you thought this gig was easy!

Keep an eye out. HORNED OWL HOLLOW is on sale this coming weekend, in case you haven’t picked up a copy yet. Also, I’m part of a promotion if you’re looking for more spooky books. Check it out!

Enter here


Wednesday, February 21, 2024

Working on the timeline

If you've read my blog before, you might remember that I have trouble with my timeline management when I write. I've tried several different "hacks" to keep on the straight and narrow, and I'm doing better, but...

One of the hacks is starting off each chapter with what day it is. I even started keeping a calendar beside me so I can put down what is happening on what day. Figuratively, if not literally. That works, until I then screw up the time of day, The last book, I got my days right but lost track of time of day. If X happens at this time of day, Y can't happen in the time span I've laid out. I don't know WHY it's such an issue for me. 

As I'm doing my editing passes on the new book, I'm starting with the timeline pass. In spite of best efforts, I've proven it's a necessary step. I have consciously avoided using days of the week, largely because they aren't important to the time in this book, and yet, aren't they? As I began the pass, I made notes. Day 1 - No date reference. Day 2 - no date reference. But then I noted something else. Elle is working at the store, and the store is only open four days a week, so that constitutes a time stamp. Likewise, she ISN'T working on Day 1, so that's also a time stamp. Right off the bat I need to pay attention to the dates I didn't think I needed to pay attention to. But THEN "something bad happens" that disrupts the timeline. So maybe it DOESN'T matter. (but it always does). At any rate, I've completed the timeline pass. The book encompasses approximately two weeks and three months, respectively. Now that I've highlighted what day is which and why it matters, I need to go back against a calendar and make sure it tracks. That should be the hardest part. Then, on to the copyediting phase. 

I'm still on track for an April release, and I'm still liking the working title - A JANE DOE GHOST. You like?

And now, I need to get back to work. I've had more distractions than usual this month - more on that another time.

The inspiration


Wednesday, February 14, 2024

Surplus goodies

Happy Valentines/Galentines Day! 💘

I'm embroiled in final edits to the next book - I'm kinda liking the title The Jane Doe Ghost - so I'm taking the easy way out today.

If you subscribe to my newsletter, you had the chance to pick up one of my romance novels (a Valentines Day Special). If you don't subscribe, I have a limited number of e-copies of BREAKING THE MOLD left for those of you who don't have it already. (Needless to say, I'd love a review if you have read it!)


Click to get your copy while supplies last.

Wednesday, February 7, 2024

Going down the rabbit hole

Part of the writing process is research. As an author, you need authenticity so people don't say "that would never happen." The funny part is that sometimes truth is stranger than fiction, and "that absolutely WOULD happen." But I digress. Today is about going down the rabbit hole.

In the quest for authenticity, I've learned many things. Like how to fight fires. How and when to file a missing person report. I've also had my sources tell me to "make stuff up. Isn't that what fiction is?" Oh yeah, there's that authenticity factor.

Sometimes, what I'm researching never makes it into the story but it's good background information that I, as the author, need to know. This week, as I was editing the upcoming book, I found a break in the storyline. The characters agreed they were going to do "this" next, and in the next paragraph, they were somewhere else altogether. After verbally telling them "Nooooo!" (husband is still recovering from my unscheduled outburst), I made myself a note. Pay attention to what my characters are telling me they're doing. They do need to go to Thunder Hole in Acadia National Park, where waves crash into an inlet like a clap of thunder, just not yet. Which sent me down the rabbit hole.

The sign from my visit to Thunder Hole
To achieve the maximum "thunder" effect at Thunder Hole, you should visit it an hour or two before high tide. So off I go to check the tidal schedules. But wait. This is February. My characters are there at the end of summer, so another rabbit hole looking for high tide history. When was high tide in August, for instance? Interestingly, the time of the tide changes rapidly from day to day. Not like, say sunset or sunrise, which moves only incrementally every day. The tidal map I found changed by an hour at a time from day to day. Is that right? Then what day are they there, and when would the tide be? Okay. Now for the fun part of "it's fiction, you get to make it up." 

Oh, and before I tell you how I resolved this, I want to tell you about one other piece of information I had to hunt up. Several states have what we call in Illinois the Safe Haven Act, which allows you to give up a child to the police or the fire department without repercussions if you can't care for it. I went in search of the details and found answers. I went to a message board of people who have experience with this sort of thing (firemen and policemen, etc.) and they sent me a brochure (which I'd already found online, in addition to the actual law verbiage). Helpful/ not helpful. Meanwhile, I interviewed a police officer friend and asked him about the Safe Haven Law. INTERVIEWING PEOPLE IS ALWAYS BETTER THAN GOOGLING, and this is why. He has practical experience rather than "this is how it's supposed to work" experience. Things rarely happen the way they're supposed to. The brochure says "this is what happens," but in the real world, "this is what REALLY happens." That interview, by the way, saved the day for me, because I was able to resolve one of the plot points that I was struggling with. I had three scenarios, and based on what he told me, I was able to pick one. During an interview, you always get more than you bargained for. In addition to the answers to your questions--which return "flat" answers on Google--you get digression. People expound on the information they're giving you, providing examples and telling you about their real-world experiences, which can be writers' gold. 


Okay, back to my tides. When I visited Thunder Hole, we were not there at high tide. We were, however, there right after a hurricane (which never happens in Maine, but how lucky were we?). Theoretically, the storm should have enhanced the "thunder" experience (it didn't). The thunder effect was still impressive, but reportedly not as impressive as it could have been. We looked up high tide for when we were there and went back the next day. Have to say, it was probably less impressive the second day, when we should have been closer to the high tide window. Based on where the water was compared to the previous day, I'd say it was closer to low tide. Or the hurricane effect was washing out. Again, I digress. So writing the scene at Thunder Hole in the book? Okay, I know WHEN high tide is/was. I know that's the best chance to hear the "thunder." But is it necessary? Personal experience says no. I spent how much time going down the rabbit hole to get information that I didn't need? Bottom line. Thunder Hole is impressive whether you're there at high tide or not. The waves will still crash into the inlet. You'll still get sea spray and the loud "crash." For my characters it wasn't about the thunder anyway. Their experience there is something completely different, so the "thunder" is irrelevant (or at least mostly so). It's a reason to visit, but the maximum thunder experience is not critical to the plot.

Do you know how many times this happens over the course of a book? I "need to know" something only to figure out, after I learn the answer, that I don't "really" need it?

Now that I've taken a step back, I can fix the scene at Thunder Hole without worrying about when high tide is/was. Thank you very much.

Back to editing.