Wednesday, July 27, 2022

Rule #1 when corresponding with authors

As a lot of authors will tell you, they didn't just wake up one day and decide to try their hand at writing (although that is true for some of them). For me, I started writing stories when I learned to write. Then, when I learned to address an envelope, I sent my story off to Random House Publishers. Needless to say, they turned me down.

I continued to write stories, graduating to my mother's typewriter. Eventually, I bought a typewriter of my own, but my stories were nothing more than wild ramblings of my imagination. Playing Barbies with words. I eventually sent a proposal to a publisher, but I still wasn't seasoned enough. The stories weren't developed enough. I went back to the books that inspired me, Gothic romances by Victoria Holt, and tried to figure out the recipe for success. Still, I was missing something.

Then I read A DRAGONFLY IN AMBER by Diana Gabaldon. I was so enamored that I began email correspondence with Ms. Gabaldon who, at the time, was just taking off. She was very gracious and responded promptly. I wanted to write like her, but by this time, I didn't have the confidence that I could string words together properly, so I pitched my story idea to her. This is when I discovered Rule #1 about corresponding with authors--don't try to pitch ideas. She very kindly told me she had plenty of her own ideas and told me to write the story myself. I was too embarrassed to continue sending her emails. She also went on to be fabulously famous and no longer has time to correspond with just anybody.

So I wrote the story myself.

I went back to school, enrolled in classes, and wrote the story that had insisted it needed to be written - TOUCHED BY THE SUN, previously titled THE TREASURE OF ST. PAUL. The book is currently out of print as it is hopelessly outdated, but I had the most fun writing it! I spent hours in the library, learned Italian, interviewed several people who have visited Pompeii. One of those people told me I couldn't possibly write about a place without visiting it--until she read what I wrote. I had done EXTENSIVE research. Travelogues. Guidebooks. I'd done a creditable job. Years later, I did visit Pompeii. I might have included other things after living the experience, although what I wrote held up. Most importantly, the extra effort I put into writing paid off. I learned the things I'd been missing in all my earlier attempts. 

As I continued to practice my art, I learned more things. Like, just because I have a large vocabulary doesn't mean I should use it. Like, figure out what genre you're writing. Find your theme and stick to it. Twenty-five books later, I can rein in the ideas buzzing around inside my head into coherent stories, all thanks to Diana Gabaldon. I'm grateful to her for giving me the push I needed.

Moral of the story - stick to your guns. Learn everything you need to know about the things that you are passionate about. As Joseph Campbell said, Follow Your Bliss.



Wednesday, July 20, 2022

Ghost stories. Next stop, the Holodeck

I've spent the last month working to finish my latest projects. The home stretch is always intense. With BEING NEIGHBORLY out in the world, and the audio for FAMILY ALCHEMY finished, it's time to redirect my focus to the new series.

Abraham Lincoln Hologram
If you've been following along, you know I've made several field trips ahead of the new series to visit some spectacular places. I've started the next book, but there's one more stop I'm planning to help with the research -- the Galena History Museum. When you walk in, you're greeted by a hologram of Ulysses S. Grant. For my friend Sarah who asks how I research ghosts, here's an example. 
I've also been tracking ghost hunters as research for the new series. For those of you with a healthy dose of skepticism, I'm right there with you, especially based on the shows I've watched and gadgets these people use. I watched an episode of Ghost Hunters and was unimpressed by their findings, and how they regularly talk about "friendly" ghosts, even after they've been called in to investigate ghosts that push people down stairs. Doesn't sound so friendly to me, but what else are they going to say? I also contacted a couple of local ghost hunters. Let's just say I'm again unimpressed. I prefer to think of these people as opportunists. 

When it comes to "real" ghosts, I've found you have to draw the stories out of people who have had encounters. For myself, I've had a couple of experiences that could be within the realm of ghostly. They're unexplained, for sure. Have I "seen" a ghost? Can't say I have. However...

I did talk to someone who witnessed a "manifestation." In fact, she told me about two. (I need to go back to ask her about the second one!) Is she telling me "ghost stories" as entertainment? Certainly, that's a possibility, but she doesn't have a reason to dupe me, and she had several stories at the ready the first time I talked to her. When she has these encounters, she looks for validation. When the ghosts carry a message, what proof can she give to people? If you can't back up what you see/hear, why share it? (Well, in this day and age, there are plenty of people who tell stories with no substance, so I suppose that question is better suited to the type of person you're talking to and what they have to gain from their story.) In talking to Fran, we discussed the desire to see ghosts. Neither one of us would choose that experience, which I think is true of most people. Without us extending the energy to invite them to reveal themselves, spirits don't have enough energy on their own to make themselves known. Or at least that's the theory. It requires energy extended from the receiver as well as the sender. An open mind and a willingness to communicate. 

Or there's the theory of hypnagogic hallucinations. These are dreams you have upon waking, or when drifting off to sleep. Hearing voices. Seeing things. For the most part, they are associated with an illness, but 35% of the population experiences them even when they're healthy. At least one of my personal experiences can likely be written off to this phenomenon. 

Whether ghosts are real or imagined, they make for good stories, from the campfire and beyond. 



Wednesday, July 13, 2022

The Making of an Audiobook

There's a school of thought that says readers want to hear their favorite authors narrating their books. While this may or may not be true for all authors, I figured I'd give it a shot.

Even though I've ventured into podcasting and other audio projects, I was grossly unprepared for the enormity of what I was taking on when I decided to record FAMILY ALCHEMY. I started it some time back, and with the help of my Dear Husband, found some excellent production software and a mic and screen that would filter out the popping noises some letters make. I got through about ten chapters when I started to notice some other annoying "tics." A clucking tongue or a dropped consonant, for example. "Cleaning" the audio became a lesson in the new production software. Fading and muting and normalizing. The difference between wav files and mp3 files.

Despite all the frustration, I am not one to give up. The audiobook production became a challenge. With that being said, I did have to set it aside for a while considering just how frustrating it was becoming. Ever persistent, I went back at it a while later. Decided what I'd done wasn't so bad and pressed onward.

Another obstacle I came across was lack of a professional studio. I'd read how some people record in their closets where clothes mute the background noise. Fortunately for me, I live in a relatively quiet neighborhood. That doesn't help, however, on garbage days. Or on hot days with the air conditioning cycling on regularly. Or a variety of other unexpected noises. The spin cycle on the washing machine. Lawnmowers. Being in the runway pattern for the airport. The wind blowing from the train station. 

I reached a point where I was "in the home stretch." Ten chapters to go. I could do this! As I was listening to one of the last chapters, I heard background noise, despite my best efforts to record around outside noise. In trying to filter the noise out, it became even MORE noticeable, so I had to rerecord parts of that chapter. In between air conditioning cycles. Yes, I know, I could turn the air off while I'm recording, but considering the heat wave we've been experiencing, that wasn't practical (and my husband would have something to say about it). 

My experience with producing audiobooks -- it's a commitment. Much like editing a print book, there is the initial "getting it down" phase, then the reviewing phase, then the final editing phase. When all that is finished, one last listen to make sure each chapter sounds as good as you can make it. The professionals can complete an audiobook in a month. It took me A LOT longer. Maybe now that I know what I'm doing, it would be faster, but I also have other projects on the fire. New books to be written.

So now, several months after I began this experiment, I've completed the audiobook! It will take another week or so before it hits the outlets, but if you want to hear this author reading her book, you will be able to. Considering this is NOT my strong suit, I plan to offer the audiobook at a deep discount. My Author's Direct page usually has the best prices.

I'm hesitant to try another book. It's time-consuming, especially without the proper equipment and with other projects competing for attention. (Did I mention I'm working on my new haunted house series? 😁) But never say never. If you are so inclined to have a listen, I hope you'll let me know how I did. Positive reinforcement might persuade me to venture into the next Hillendale novel (there are five). If my performance detracts from the story, I'd like to know that, too. In a nice way, of course. 


By now you all know about BEING NEIGHBORLY. Did you get your copy? Can't wait to hear what you think.


Wednesday, July 6, 2022

A sneak peek

I've spent the last week combing through editor comments and making sure I haven't missed anything. BEING NEIGHBORLY is ready to make its debut next week. You can still get it for the early bird, bargain basement price of $0.99, but the price goes up July 13. Need more incentive to buy it? How about a little snippet?

She pulled into her garage, and when she walked to the back door, Heath was bent over his iPad with earplugs in.

“I told you to stay out of it,” he said, his voice low and threatening. “Don’t want to raise any red flags.”

Sue’s breath caught. Was he on the phone? What happened to the guy who was worried about being a dork?

Heath looked up, smiled, and tugged out his earbuds. “How was your day?”

They’d questioned him about his roommate’s death, which meant they must have had a basis for assuming he could be a killer. He seemed harmless, but after what she’d just heard, she wasn’t so sure. Sue crossed her arms and faced him, trying to decide what to say.

“Bad day, then?”

She was dying to ask him about his roommate. Dying to know what made his roommate’s death suspicious. It didn’t help that the book currently on her nightstand was a whodunnit, triggering her imagination with all the possibilities.


BEING NEIGHBORLY - Coming July 12
Special preorder price $0.99