The benefits of being a pantser

There have been books where I wish I'd have started with a definitive outline, one that plotted where my story was going and how it played out. There have been books where I had to stop writing in order to plot where the story was going because I was getting lost, or writing "blah blah blah" instead of anything that might move the story along. Being a pantser (defined as someone who writes by the seat of their pants) has its downsides. But then...

I'm working on my new book, and yes, I'm pantsing my way through it. I have a pretty good idea where I'm going and what comes next, but the mystery part has been hanging over me. I have a villain. And I have a red herring villain. Today, as I was trying to figure out what comes next--and I should have had this thought sooner, when I wrote down the motives and reasonable cause for the murder--I found yet a third potential villain, one that makes a lot of sense! 

Sometimes we write characters to fill space. Someone needs to be somewhere and they need someone to be there with. Oftentimes, those filler characters don't even get a name because they aren't critical to the story. Sometimes, they need a name because they're going to have a spot in the story later, or they will be a recurring character. Sometimes you just need to call them something other than "the other guy." Many times, I've discovered that if I've gone as far as to name the character, they need to have a reason to be there--sometimes, even to be the unexpected villain! This is when being a pantser is fun. You write things you didn't know you meant to write and they suddenly come together to make the story richer. Deeper. As if your brain knows before you do and sets the stage, just waiting for you to have that "a-ha!" moment. 

I just plotted my "a-ha" moment. Which makes me excited about the story all over again. Which keeps me writing. Of course, I've been pretty interested in this story from the beginning, so that makes it that much more fun.

Stay tuned for more information on Unidentified Remains!

And then what?

Have you ever stopped to wonder why, when you finish a chapter and you have things to do, you keep reading instead? One of the rules of writing: Every scene, every chapter, should have a hook, something that makes you want to turn the page. If you finish a chapter with "and it was the end of the day so they went to bed," so will your reader. But if you finish your chapter with, "and then the bad guy walked in," you're going to want to know what's going to happen next.

That applies to more than just reading a book. As an author, we're often told to write your characters into a corner, and we don't always know the way out. Oftentimes, the hook isn't always obvious, but sometimes... That hook not only keeps you reading, it keeps the author writing. Trouble is interesting. Mysterious characters who show up out of the blue are interesting. 

I often find myself writing the end of a chapter, and if it's the end of my writing day, I'll keep going into the next so I know what I did there. If I finished a scene with a potential villain walking in, I'll leave myself a note so I know where to pick up. If I leave a character in potential jeopardy, I make a note that the next time I go into that point of view, I need to resolve the jeopardy (or up the ante). One example: Bella is in the kitchen at Edith Ann's, the coffee shop she runs. The server on duty comes in to tell her someone is asking for her in the dining room. Bella goes to see, and the potential villain's sister introduces herself. What does she want? The reader has to wait to find out, because now it's time to switch POV and get the forensic results for the second body in the coffin. (Second body in the coffin? Yep, but I'm not giving the whole book away here.) But how did he know to point the forensic anthropologist/dentist in the right direction? Welp, that all has to be addressed before he goes out on patrol and runs into... duh duh duh ... the girl Bella interviewed for a job at the coffee shop -- and the girl is being stalked. By who? End of chapter.

You get the drift. 

In a world full of distractions, it's hard to stay motivated, but if you keep leaving yourself spicy breadcrumbs, they're more likely to draw you back in, both as a reader and as a writer.

Pirates be walkin' the plank

I'm on a rant today...

With the dawn of AI, even artistry is becoming automated. Would-be authors have decided they can use AI to write a complete book. 

AI is NOT the be-all and the end-all. There is only so much you can do with soulless technology. It is flawed, and its creators are pirating work from actual artists to train it. 

I was recently notified that my work was pirated without my consent, and as part of a class action lawsuit, I am now entitled to compensation. Theoretically. I'll believe it when I see it. This is only the first of many, as I understand it.

As an independent author, there are costs that go into producing a book. Sure, it's easy to say "it doesn't cost anything," but if you want to put out a quality product, you need an editor. Some people use a variety of editors for different things, or one editor for a variety of things. There is the cost of commissioning a quality book cover. There is the cost of formatting. If you do an audio version, you might have paid a narrator. Some people have skill sets that make life easier, but as one of my author buddies always says, hire out what you aren't good at. And here's the thing. I was an editor on the day job, and I still hire an editor, because that's a particular skill that requires "a second set of eyes." I can get close. I get it right for the most part, but it's way too easy to miss things. 

The settlement will cover some of those extra costs, assuming the amount they're predicting comes through, and that's just from the AI pirates.

There are other pirates out there. How many people want to save a buck and find a place that offers books for free? Legitimately? There are far too many pirates out there, but let's call them what they are. Thieves. You're buying "fenced" goods. Some people might remember when recording artists sued streaming services for essentially giving away their music for free. Hey, we need to eat, too.

There are plenty of authors who offer books free of charge to their readers - first in series is a prime example. We want you to read our books. Take the free one, and if you like it, support our work. If you can't afford to buy books, get them from the library. If they don't have the hard copies, you can bet they'll have the electronic copies, or you can request the hard copies.

I'm pleased the AI book pirates are being addressed, but that doesn't cover all the pirating that happens. I write because I love to write. I publish to share my work with you, but there are a lot of hours of blood, sweat, and tears that go into my work, and I don't overcharge my readers. In a lot of cases, my books are cheaper than a cup of coffee. I have to sell a lot of books just to break even. If you can't justify supporting an author as easily as your coffee habit, there will be fewer authors to choose from. I can't tell you how many days I ask myself if it's worth it. For myself? Yes. Sharing it? Not if you'd rather support a pirate than an author. It's very disheartening.