My husband is a very thoughtful man, as you can tell by this act alone. He does not, however, know much about my writing. He doesn't read fiction, has never read any of my books. When I ask for an opinion, he offers one, when I ask him for a point of reference, he understands the context and tries to help. But read it? Not so much. That's why, after sitting in on the panel, he circled back to me later and said, "I didn't know you did that."
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| AJ Pine, Karla Brandenburg, EM Kaplan |
The people who attended felt they'd gotten a lot from the panel, so I thought I'd recap some of the high points for folks who might be considering writing a series.
What defines a series?
1. One approach is a continuing arc that progresses to an ultimate conclusion at the end of the series.
2. Another approach is a returning character. Think Hercule Poirot or Nancy Drew.
3. Or there is a recurring venue. Lucky Harbor, or that town in Maine where Jessica Fletcher lives.
4. A family of characters, like with my Epitaph series, or my Northwest Surburbs family of friends.
Why a series?
For an author, one of the fun parts is giving secondary characters in one book a chance to step out into the world on their own in the next book. Another reason to write/read a series is that you become invested in your characters. Readers want to read more. Authors want to know more about the characters they've created. It's a comfortable place to return to.
Common Pitfalls
When an author starts writing book two, it's easy to want to recap everything that happened in book one. The last thing a reader wants is an "info dump." They want to get right into the action. When I wrote the Mist Trilogy, I found myself wanting to return to Marissa's voice, as she was the main character in Book One and an important returning character, but Book Two wasn't about her. Yes, she had a major role, but more than once I had to tell her to step back. Backstory should be introduced when and where appropriate, but not more than a sentence or, at most, a paragraph at a time. Little bites work much better than big chunks.
I'm also in the camp that a series of books should each stand on their own. If you write a cliff hanger ending, I'm less likely to stick by you than if you give me a satisfying conclusion to this "episode" of the series.
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| AJ Pine, Karla Brandenburg |
As much as you can! The stories will naturally morph as the writing goes on, so I don't like to get too tied in, but you need to know why it's a series and hold that thread. For Epitaph, I planned out the two families and each of the siblings. They are introduced in the first book, all of them, and then they step back to wait their turn. Some of the things I'd planned in book one changed as the characters grew. Kathleen McCormick, for instance, is flirting with a guy at the end of the first book - her potential hero, but by the time she got her own story, they'd broken up. When I went to write it, he didn't fit anymore. It seemed like a good idea in Book One, but Kathleen had changed. Grown. Her life was different. Planning gives you a solid foundation to build off. It also gives you the chance to fix something ahead of time, before you have established a number of books and can't go back to change it.
Which leads me to...
How do you keep track of all the details? Names. Places. Events. Who knows what.
You need a series bible. For me, it's an Access database that I created. Some folks use a spreadsheet. One of the rules of writing is keeping names distinct and unique. You don't want to name three guys Mike through the series. How can you expect anyone to keep them straight if they all have the same name? One of my co-panelists pointed out another pitfall, similar names. She had a hero named Cash in one of her books, and in another, she went for the name Ash. Oops! Back up. Too similar. It's also helpful to know the names of the venues you create, from towns to bars to cafes. And here is one big OOPS I made with mine. By the time I hit book 7 in EPITAPH, I misspelled the main character's name. Brian Benson had suddenly become Bryan. Not only that, in Book 1, he is the youngest of the Benson siblings. In Book 7, suddenly he was second youngest. This is where I am deeply indebted to my editor. In spite of having my database, my series bible, I still screwed up. She and I both did a made dash to ferret out the details I'd carelessly forgotten or ignored to make the corrections before the book went out into the world.
Those were some of the highlights of the panel discussion. They're also good reminders for me as I look ahead to starting a new series.
Any questions I've missed? Anything you want to know about writing a series?
